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Books:
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Hearing with the Mind: Proto-Cognitive Music Theory in the Scottish Enlightenment. In press, Oxford University Press
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Thinking Music: Global Sources for the History of Music Theory, edited by Thomas Christensen, Lester Hu, and Carmel Raz. Under contract, the University of Chicago OPS.
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Lexikon Schriften über Musik III: Musikästhetik in globaler Perspektive., edited by Carmel Raz, Felix Wörner and Melanie Wald-Fuhrmann. Under contract, Baerenreiter Verlag.
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The Attentive Ear: Sound, Cognition, and Subjectivity, 1800-1930, edited by Francesca Brittan and Carmel Raz. Under contract, the University of Pennsylvania Press.
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Sound and Sense in British Romanticism, edited by James Grande and Carmel Raz. Cambridge University Press, 2023. Open Access: https://doi.org/10.1017/9781009277839 Download.
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Articles:
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“Hector Berlioz’s Neurophysiological Imagination.” Journal of the American Musicological Society 75.1 (2022): 1-37. Link
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“‘To ‘Fill Up, Completely, the Whole Capacity of the Mind’: Listening with Attention in Late Eighteenth-Century Scotland.” Music Theory Spectrum 44.1 (2022): 414-154. Link
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“The Kinetic Universe of Philippe Leroux’s De La Texture (2007): Drum Rudiments, Waveform Profiles, and Process Polyphony.” Music Theory and Analysis 8.2 (2021): 327-340. Link
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“Séances, “Sperrits,” and Self-Playing Accordions: Musical Instruments in Victorian Spiritualism.” Journal of Musicology 38.2 (2021). Link
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“How the Sheng became a Harp,” Journal of Sound Studies 6.2 (2020): 239-256. doi 10.1080/20551940.2020.1794648. Link
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“Attention, Anxiety, and Audition’s Histories,” (co-authored with Francesca Brittan), introduction to colloquy on “Music and Forms of Attention in the Long Nineteenth Century,” Journal of the American Musicological Society 72.2 (2019), 541–546. Link
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“Talking to the Hand: The “Hysterical Epistemology” of the Migrating Sensorium,” Colloquy on “Music and Forms of Attention in the Long Nineteenth Century,” Journal of the American Musicological Society 72.2 (2019), 552–557. Link
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“An Eighteenth-Century Theory of Musical Cognition?: John Holden’s Essay Toward a Rational System of Music (1770),” Journal of Music Theory 62.2 (2018): 205–248. Link
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“Anne Young’s Introduction to Music (1803): Pedagogical, Speculative, and Ludic Music Theory,” SMT-V: Videocast Journal of the Society for Music Theory 4.3 (October, 2018). Link
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“Anne Young’s Musical Games (1801): Music Theory, Gender, and Game Design,” SMT-V: Videocast Journal of the Society for Music Theory 4.2 (September, 2018). Link
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“Music, Theater, and the Moral Treatment: the Casa dei Matti in Aversa and Palermo.” Special issue on “Italian Music and the Medical Sciences,” Laboratoire italien 20.2 (2017).
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“‘The Expressive Organ Within Us’: Ether, Ethereality, and Early Romantic Ideas about Music and the Nerves.” 19th-Century Music 38.2 (2014): 15–144.
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“The Lost Movements of Ernst Toch’s ‘Gesprochene Musik,’” Current Musicology 97 (2014): 37–59.
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“From Trinidad to Cyberspace: Reconsidering Toch’s Geographical Fugue.” Zeitschrift der Gesellschaft für Musiktheorie 9.2 (2012): 227–243.
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“Wagnerpunk: A Steampunk Reading of Patrice Chéreau’s Staging of Der Ring des Nibelungen (1976).” Journal of Neo-Victorian Studies 4.2 (2011): 91–107.
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Special Issue
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| Francesca Brittan and Carmel Raz, Eds. Colloquy on “Music and Forms of Attention in the Long Nineteenth Century,” Journal of the American Musicological Society 72.2 (2019), 541–80.
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Chapters:
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“Of Sound Minds and Tuning Forks: Neuroscience’s Vibratory Histories.” In The Science-Music Borderlands: Reckoning with the Past and Imagining the Future, ed. Elizabeth Hellmuth Margulis, Psyche Loui, and Deirdre Loughridge. MIT Press, 2023, 115-129.
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“Operatic Fantasies in Early Nineteenth-Century Psychiatry.” In Staging the Scientific Imagination, ed. David Trippett and Benjamin Walton. Cambridge University Press, 2019, 63–83.
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Carmel Raz and Stanley Finger, “Musical Glasses, Metal Reeds, and Broken Hearts: Two Cases of Melancholia Treated by New Musical Instruments.” In The Routledge Companion to Music, Mind and Wellbeing: Historical and Scientific Perspectives, ed. Penelope Gouk, Jacomien Prins, Wiebke Thormaehlen, and James Kennaway. Routledge, 2018, 77–92.
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“At Adama: A Musical Vignette.” In Art Musics of Israel, edited by Malcolm Miller, Brepols. Forthcoming
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“Tafillalt’s ‘Soulmate’ and the Israeli Piyyut Revival.” In Al-Andalus and its Jewish Diasporas: Musical Exodus, edited by Ruth F. Davis. Lanham: Rowman & Littlefield, 2015, 165–180.
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Reviews:
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Haydn’s Sunrise, Beethoven’s Shadow: Audiovisual Culture and the Emergence of Musical Romanticism by Deirdre Loughridge, Music and Letters 99.1 (2018): 126–128. Link
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Music and the Nerves, 1700–1900, ed. James Kennaway, Social History of Medicine. DOI: 10.1093/shm/hkw003.
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“Ossian’s Folk Psychology” by John Savarese,
Journal of Literature and Science 7.2 (2014): 90-91 DOI: 10.12929/jls.07.2.10.
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“Cute Boy, Charming Girl: Children's Songs of the Modern Hebrew Nation (1882-1948)” Asian Music (2014), 45:2, 132–133.
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Other Writings:
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Entries in Grove Music Online. Oxford University Press.
“Walter Young’” In Press.
With Brianna Robertson-Kirkland, “Anne Gunn’” In Press.
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Entries in the Lexikon der musikalischen Schriften, edited by Melanie Wald-Fuhrmann and Felix Wörner. Bärenreiter Verlag, 2022.
“John Holden, Essay towards a Rational System of Music;” pp. 388–390.
“James Beattie, ‘Essays: On Poetry and Music, As They Affect the Mind;’” pp. 92–94.
With David E. Cohen, “Karl Philipp Moritz, ‘Die Wirkungen der äussern Sinne in psychologischer Rücksicht: Über das musikalische Gehör.’” pp. 605–607.
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“Music of the Squares: David Ramsay Hay and the Reinvention of Pythagorean Aesthetics,” The Public Domain Review, May 16, 2019. Link Download
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“Going Global, in Theory,” (co-authored with David E. Cohen, Roger M. Grant, Andrew Hicks, Nathan J. Martin, Caleb Mutch, Melanie Wald-Fuhrmann, Felix Wörner, and Anna Zayaruznaya). Musicological Brainfood 3.1 (2019). Link Download
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“Of Sound Minds and Tuning Forks: Charcot’s Acoustic Experiments at the Salpêtrière, Musicology Now, October 2015. Link.
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Program notes on Ahinoam Nini, Yair Dallal, and Ensemble Tafillalt, “Sounds of Israel” Festival, Hamburg Elbphilharmonie, 2012.
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“Shulamit Ran’s First String Quartet: In Tune with the Audience and Performer,” Israel Music Institute Presents 2 (2008).
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